1987 may have been the peak of eighties horror. The Tommy Jarvis trilogy had concluded and Freddy was not going to top his bout with Patricia Arquette. Few would argue that neither of those franchises had what it took to surpass "Evil Dead II". The wise thing to do would have been to ride on Sam Raimi's coattails. In steps Kevin Tenney with "Night of the Demons".
It is weird for I, Cool Movies Darth, to not actually refer to myself in my Podbean/iTunes podcast synopsis. This is what happens when things seem to go right when setting up a recording. All thanks should go to Evil Penguin Game's Tim Bates's flexible schedule. Well, my work schedule allowing me to watch a 90-minute movie, followed by two hours of wrestling before primetime concludes giving me two hours to record this show was nice, but we do not want to give the corporate world that much credit.
"NinetyForChill: The #Podcast" had spoken a big game when it has come to landing Tim as a guest. This is the guy who introduced Kodiak Thompson to "John Dies at the End" and more. We are coworkers, so we talk a lot of "schlocky" films if we are not dealing with customers.
He had kept me up to date on his Tubi binge of Jean-Claude Van Damme's filmography before the movies were pulled from the service. We keep returning to chats about Charles Band's "Arena". Discussions about what movies should get steelbook reissues have been had. In the end, this podcast recording may have been necessary since the holiday season will mean we just will not have the time to bullshit.
Hopefully, we will get to chat on the podcast again soon. Our taste is far more vast than horror, and when he mentions "Robot Jox" off the air, there is definitely more fun to be had. But, it is spooky month, and "Night of the Demons" is the appropriate conversation to be had.
Like "House" from last week, you get an "Evil Dead" vibe, but you do not get the charming characters. This is a checklist of stereotypes that you hope to see murdered in unique ways. There are not bucket of blood, but you get some great make up effects and some silly fates. Most importantly, Kevin Tenney's film is aware of what was expected from a horror trope standpoint during the decade, and decides to make some fun efforts to subvert them.
I found the soundtrack to be fun, and when the jokes are at their most blatant, they still work out great. There are some plot holes, but they serve to make those who enjoy the feature search for any Easter eggs that could be found. This is a fun slumber party movie which really makes me wish I did not grow up in a town of 37 churches for 15 thousand citizens. All the things I grew up missing will forever frustrate me.
And this flick also frustrates me because I was unaware of the director's influence on me. Kevin Tenney directed the first no budget movie I had "intentionally" seen, "Brain Dead". It took a few more "Drunken Zombie Double Features" before I had the guts to write "Main Event of the Dead", but this was the start. It is just sad that this is the second film of Tenney's that I have viewed.
Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.
Gregory Carl returns to "NinetyForChill: The #Podcast" to start #SpookyMonth off with a raucous horror comedy in "House". It seemed to be inspired by Sam Raimi's "Evil Dead" which led Cool Movies Darth to feel like it may have been trying to beat the more comedic "Evil Dead 2" to the punch. That is an appropriate vibe since the Vietnam themes were huge in the mid 1980s, and 1985 was the year that Cannon released the first two "Missing in Action" movies to tug on the coattails of "Rambo: First Blood: Part 2" publicity.
Allow me to get out of third-person. Happy Prof. Shurtleff of Illinois Central College? I (CM Darth) will try not to make so much light of violent death in this summation. This is my declaration of changing perspective.
I know it is not a big deal, but I actually dropped this past podcast Tuesday (10/4/22). Exhaustion was getting the better of me on Monday, so I edited this episode as late as I could. It just had to be finished in time for WWE NXT like every other week. Once that happened Tuesday night, sleep was more important than this blog post.
Wednesday was not going to work for me since I finally secured the legendary Tim Bates of Evil Penguin Games to record a podcast. This meant my itinerary included my standard 7:30 am to 4 pm work day, watch and take notes about "The Night of the Demons", watch the extended edition of "AEW Dynamite" while getting my drink on, and then recording next week's podcast till midnight. Of course this meant Thursday was going to be a wash with my only motivation to stay up was to possibly join the other Bumble Bees at Pour Bros. Trivia night. The team was not there (Coincidently, three quarters of the team all had plans in Chicagoland this weekend.), so it was weed after a sampling of ciders and meads. The night was over.
So after a day with blown out jeans (I thought the "Anyone else feel a draft in here?" line was solely for comic fiction.), I am at the keyboard to sum up my most recent conversation with Gregory Carl in regards to "House"...and his first foray into Springfield's Pinfall Wrestling. The latter topic was moved to after the movie discussion, so once David Tennant's request a "Wahoo", the non-marks can leave the show.
Gregory actually came to the show's rescue this week. No one else stepped up, and twats like @horrorman93IG who expressed initial interest (Don't hit the heart if you don't mean it.), blocked my account. Since he was one of the few who really wanted to be part of the proposed Kevin Smith panel, I owed him the time. Fortunately, "House" was more than worthy of a rewatch from him.
"House" is the portion of the Venn Diagram where "Evil Dead" and "Gremlins" intersects. "Evil Dead 2" was still years away from happening, so to feature so much slapstick comedy was unusual for the time. It is virtually a gore-free feature and harsh language is something that could be missed in a blink. It is not overly intense, which may undercut the Vietnam War PTSD themes, but it does not really do anything to make you denounce it for a lack of scares.
The tale could have been directed better. It holds itself back from being a legendary horror feature. But, "House" lays down the blueprint for PG-13 rated horror. PG-13 "horror" movies failing to think of this film when they are being developed is the true cinematic crime.
But, I do not want this podcast episode to be void of a love for gore effects. So, my most recent Netflix DVD was opened up. The feature is 1985's "Creature" which WhatCulture Horror had sold me on as a "The Thing" and "Alien" knock off.
Those Geordies sold it as something only the Italians could come up with, but this is low-budget, Yankee horror-fare. This one is solely for the curious. For me, fun was had. For the unofficial cinema snobs, forgiveness will be a hard find.
Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.