NinetyForChill.com: The #Podcast
Episode 60: ThePoeticCritic and Oscar Fixing/Bitching (Black Cancer vs. White Autism).
ThePoeticCritic graces NinetyForChill.com: The #Podcast again with her thoughts on how the Academy Awards will either piss off #FilmTwitter or just be mocked for its failure to connect with the Marvel-loving loud mouths of Millennials and Gen Z. So Cool Movies Darth offers up suggestions on how to remedy this while setting up a lot of "The Simpsons" references to display the futility of making changes to the Oscars.
The Academy of Arts and Science seems to be making a lot of questionable decisions going into their annual awards ceremony. Decisions that maybe more questionable than CM Darth recording this on a Zoom H1N without a test run. ThePoeticCritic and the former Scoop Staley (If your podcast received a five-star review from this moniker, please return the favor.) cannot see any of the Academy's decisions working out for the better.
This year's show is dependent on Twitter with the #OscarsFanFavorite and the #OscarsCheerMoment. ABC (Disney) is hoping this will reward "Spider-Man: No Way Home" with some "serious" statuettes, but with bots and those who follow Camila Cabello and Johnny Depp, the fan favorite movie will be an expression of awful taste. As for the Cheer Moment, Russ Stevens (Firsties when it comes to using that name for podcasting) is pulling for a clip from 1999. Oh the confusion that appealing to the youth will provide us.
Other films in contention for unwarranted recognition are from Zack Snyder. There are those pushing for Netflix's "Army of the Dead" and a Flash moment from "Zack Snyder's Justice League". As a fan of most adaptations directed by Snyder, Cool Movies Darth is hoping the Internet will shut him out this year. But, he has not seen the HBO Max exclusive, and he is a supporter of "Batman Versus Superman: Dawn of Justice", so he may need to find five hours to become objective.
What does Mr. Cool Movies suggests to fix the Oscar with the Internet? How about a Twitter ticker throughout the show? Everyone likes to see their name on TV. Perhaps we need a ESPN2 commentary stream. If Amy Poehler and Tina Fey are not going to host, why not let them party and commentate the show like the Manning boys do for Monday Night Football?
This is where a content warning maybe needed. TPC and CMD discuss last year's attempts to make the telecast more interesting. The show backfired when they attempted to celebrate the career of Chadwick Boseman by presuming that he would win the award for Best Actor. Anthony Hopkins's, an octogenerian, victory over a 43 year-old who died went over as well as a lead balloon.
And this week's guest took offense to this. Hopkins had recently acknowledged his autistic diagnosis. TPC is on the spectrum as well, so she was offended that people were upset about her marginalization being cursed.
Which marginalization deserves more recognition? Is that a question we should be even considering? Here is to hoping they revert to saving the Best Picture Oscar for the end to avoid such thoughts.
The podcast does their best to look past last year's recognition. It seems like it will be a big Jeff Goldblum year, so TPC is pumped. CMD maybe stuck in the past as he looks forward to Ebertfest 2022. This leads to the two discussing the need for super critics to counter how Disney is ruining the chances to see other movies as they flood the multiplexes with whatever Marvel bollocks keeps me from seeing the likes of "The Matrix: Resurrections" in IMAX.
I was a fan of the latest "Matrix" but I understand it is not Oscar fair. Still it has a fun ensemble, just like this week's Ally's Accessories Shop on Etsy Trash Feature Review. This week, CM Darth watched "The Favor" with Oscar winner Brad Pitt. This tale of middle-aged sisterhood was made before the Orion bankruptcy, but it took another three year to finally release it. That is not a good sign.
Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.
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