*Blog posted started on April 17, 2020.
Four hours and 10 minutes left in the shift and I foolishly thought writing a movie review would get me through the rest of the day. Stimulus fever seemingly lasted for 48 hours. If you got they got their check, they cashed it out before the government knew it was gone. That had been the only story in the news, so I am back to needing to blog on and on and on.
For a second there, I thought I was in trouble. Fortunately, my Domo-kun messenger bag did make the trip from the car to the breakroom. It would be really awkward to ask the manager if I could run out to the car for my comic books.
This might be my biggest complaint about the COVID-19 lockdown that I cannot go troll hunting to cope. For printed media, it is probably a plus for print and bookstores. Comixology has not been sending the bi-weekly worthwhile email about what graphic novels and comic book releases. No brick and mortar, no new releases. I definitely prefer the paper and the collectability despite my not owning sleeves and cardboard backs (What else do you expect me to use my Pro Wrestling Crate boxes for?). Still, with movies soon to be a digital only medium, I am willing for comics to be the same.
As long as there are Funko Pop! collectables when we get out, we can stay locked up till 2021. The strike-shortened NHL 2013 season was a lot of fun in my opinion.
With all that said, I do have to thank the heroes at Netflix DVD.com warehouses. It is great to have the assurance that I will not pay an extra $2 to see a Rutger Hauer movie that has yet to be converted to HD.
Of course, people are surprised when they find out that I still have a DVD-rental subscription service. I may have just overblown the noble nature of this essential job. Are they having any issues social distancing in those distribution centers if 1 in 22,500 (population of Champaign divided by two) are requesting discs via mail?
I should not mock them when there are plenty of assholes who troll people just to say "Fuck you! Your wrong!" on Twitter and Facebook. They are just trying to survive, like Ice T in Ernest Dickerson's follow up to "Juice" (Please pardon that tacky transition.).
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